Adolphe William Bouguereau
Bouguereau made more than seven hundred finished works. French painter. From 1838 to 1841 he took drawing lessons from Louis Sage, a pupil of Ingres, while attending the coll?ge at Pons. In 1841 the family moved to Bordeaux where in 1842 his father allowed him to attend the Ecole Municipale de Dessin et de Peinture part-time, under Jean-Paul Alaux. In 1844 he won the first prize for figure painting, which confirmed his desire to become a painter. As there were insufficient family funds to send him straight to Paris he painted portraits of the local gentry from 1845 to 1846 to earn money. In 1846 he enrolled at the Ecole des Beaux-Arts, Paris, in the studio of Francois-Edouard Picot. This was the beginning of the standard academic training of which he became so ardent a defender later in life. Such early works as Equality reveal the technical proficiency he had attained even while still training. In 1850 he was awarded one of the two Premier Grand Prix de Rome for Zenobia Discovered by Shepherds on the Bank of the River Araxes (1850; Paris, Ecole N. Sup. B.-A.). In December 1850 he left for Rome where he remained at the Villa Medici until 1854, working under Victor Schnetz and Jean Alaux (1786-1864). During this period he made an extensive study of Giotto's work at Assisi and Padua and was also impressed by the works of other Renaissance masters and by Classical art. On his return to France he exhibited the Triumph of the Martyr (1853; Luneville, Mus. Luneville; ) at the Salon of 1854. It depicted St Cecilia's body being carried to the catacombs, and its high finish, restrained colour and classical poses were to be constant features of his painting thereafter. All his works were executed in several stages involving an initial oil sketch followed by numerous pencil drawings taken from life. Though he generally restricted himself to classical, religious and genre subjects, he was commissioned by the state to paint Napoleon III Visiting the Flood Victims of Tarascon in 1856
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Adolphe William Bouguereau Bathers oil painting


Bathers
mk235 1884 Oil on canvas 200.7x129cm
Painting ID::  54029 		Adolphe William Bouguereau
Bathers
mk235 1884 Oil on canvas 200.7x129cm
   
   
     
Adolphe William Bouguereau The god of the forest with their fairy oil painting


The god of the forest with their fairy
mk250 Year in 1873. Oil on canvas, 259.1 centimeters high. Massachusetts Granville of the United States and Sri Lanka and the town of Sterling Clark Art Institute
Painting ID::  56949 		Adolphe William Bouguereau
The god of the forest with their fairy
mk250 Year in 1873. Oil on canvas, 259.1 centimeters high. Massachusetts Granville of the United States and Sri Lanka and the town of Sterling Clark Art Institute
   
   
     
Adolphe William Bouguereau Psyche oil painting


Psyche
Description Bouguereau-Psyche.jpg Psyche
Painting ID::  68782 		Adolphe William Bouguereau
Psyche
Description Bouguereau-Psyche.jpg Psyche
   
   
     
Adolphe William Bouguereau Spinner oil painting


Spinner
Medium Oil on canvas Dimensions 160 x 91.5 cm
Painting ID::  70862 		Adolphe William Bouguereau
Spinner
Medium Oil on canvas Dimensions 160 x 91.5 cm
   
   
     
Adolphe William Bouguereau The Grape Picker oil painting


The Grape Picker
1875(1875) Oil on canvas 140 x 63 cm (55.12 x 24.8 in)
Painting ID::  70874 		Adolphe William Bouguereau
The Grape Picker
1875(1875) Oil on canvas 140 x 63 cm (55.12 x 24.8 in)
   
   
     
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     Adolphe William Bouguereau
     Bouguereau made more than seven hundred finished works. French painter. From 1838 to 1841 he took drawing lessons from Louis Sage, a pupil of Ingres, while attending the coll?ge at Pons. In 1841 the family moved to Bordeaux where in 1842 his father allowed him to attend the Ecole Municipale de Dessin et de Peinture part-time, under Jean-Paul Alaux. In 1844 he won the first prize for figure painting, which confirmed his desire to become a painter. As there were insufficient family funds to send him straight to Paris he painted portraits of the local gentry from 1845 to 1846 to earn money. In 1846 he enrolled at the Ecole des Beaux-Arts, Paris, in the studio of Francois-Edouard Picot. This was the beginning of the standard academic training of which he became so ardent a defender later in life. Such early works as Equality reveal the technical proficiency he had attained even while still training. In 1850 he was awarded one of the two Premier Grand Prix de Rome for Zenobia Discovered by Shepherds on the Bank of the River Araxes (1850; Paris, Ecole N. Sup. B.-A.). In December 1850 he left for Rome where he remained at the Villa Medici until 1854, working under Victor Schnetz and Jean Alaux (1786-1864). During this period he made an extensive study of Giotto's work at Assisi and Padua and was also impressed by the works of other Renaissance masters and by Classical art. On his return to France he exhibited the Triumph of the Martyr (1853; Luneville, Mus. Luneville; ) at the Salon of 1854. It depicted St Cecilia's body being carried to the catacombs, and its high finish, restrained colour and classical poses were to be constant features of his painting thereafter. All his works were executed in several stages involving an initial oil sketch followed by numerous pencil drawings taken from life. Though he generally restricted himself to classical, religious and genre subjects, he was commissioned by the state to paint Napoleon III Visiting the Flood Victims of Tarascon in 1856

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